Publishers Carb the fuck up womens fiction

MOBI Ryszard Kapuściński ↠ ↠ Heban eBook è

In 1957 Ryszard Kapuscinski arrived in Africa to witness the beginning of the end of colonial rule as the first African correspondent of Poland's state newspaper From the early days of independence in Ghana to the ongoing ethnic genocide in Rwanda Kapuscinski has crisscrossed vast distances pursuing the swift and often violent events that followed liberation Kapuscinski hitchhikes with caravans wanders the Sahara with nomads and lives in the poverty stricken slums of Nigeria He wrestles a king cobra to the death and suffers through a bout of malaria What emerges is an extraordinary depiction of Africa not as a group of nations or geographic locations but as a vibrant and freuently joyous montage of peoples cultures and encounters Kapuscinski's trenchant observations wry analysis and overwhelming humanity paint a remarkable portrait of the continent and its people His unorthodox approach and profound respect for the people he meets challenge conventional understandings of the modern problems faced by Africa at the dawn of the twenty first century


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    Ryszard Kapuscinski sits under the branchy shade of a solitary acacia and stares at the incommensurable moonlike landscape unfolding in front of him Plains covered with parched thorny shrubs and vast extensions of sandy ground seem ablaze in a shimmering haze that refracts on the journalist’s eyes forcing him to squint “Water and shade such fluid inconstant things and the two most valuable treasures in Africa” this half historian half journalist recalls while revisiting the thirty years he spent roaming the most recondite spots of this battered continent castigated both by man and the most hostile aspect of nature A place where its people are one with its arid terrain blinding light and spicy smells A place where the night belongs to myth and spirits where time stretches and melts without shape or tempo A place where history does not exist in archives or records because it can only be measured by memory by what can be recounted here and now So I sit down next to Ryszard and I listen to his chronicleWith unsentimental approach and spartan phraseology unravelled in a collage of disorderly snapshots spread out in time and assorted geography Kapuscinski evokes the Africa that runs through his veins beats in his heart and brims over his memory avoiding clichés and showing the hidden face of this mistreated continent He neither judges nor idealizes the African culture Instead he narrows his incisive perspective down to the daily life of cast leaders peasants or the bayaye beggars eluding the official routes of embassies palaces or press conferences to disclose the reality of contemporary Africa Formally presented in autobiographical narrative but with the intimate tone of a personal diary the main events of the last century are overtly disclosed colonialism racism tribal wars mass famine sadistic genocide power struggles and corruption are tackled and dissected with factual crudity Kapuscinski’s account is that of a witness that of a wanderer who knows Africa to be a too disparate menagerie of tribes castes and ancient traditions to be framed as a whole “The continent is too large to describe It is a veritable ocean a separate planet a varied immensely rich cosmos Only with the greatest simplification for the sake of convenience we can say “Africa” In reality except as a geographical appellation Africa does not exist”One needs to inhale the pungent odor of rotten fish drying out in the scorching sun to wake up in a local hospital shuddering with the feverish coldness of malaria to observe emaciated children fainting next to markets full of provisions or used as kamikaze soldiers in the militia under the effect of drugs to assume that a useless object like a casserole or a rusty bicycle can make a difference between poverty and middle class to respect tribes whose only source of income comes from a camel or a cow and their culture of exchange to understand that misery condemns most to death and transforms a few into monsters bloody dictators crazied executioners like Idi Amín whose demented quest to exterminate the Tutsis cast in Rwanda was endorsed by several European presidents One needs to live all that in order to entirely grasp the glory and the consequence of a place like AfricaKapuscinski awakens from his reverie He stares back at me his eyes full of golden sun and unwavering sadness Sitting under the shelter of this acacia tree I have listened to this man’s soul and I have felt The Spirit of Africa I have envisioned life as an endless battle as a frail equilibrium between survival and annihilation but also as a mosaic of vivid colors and ceaceless metamorphosis And I have understood that nothing will ever conquer the immense elephant of the world nothing will ever conquer Africa and its power within For its power remains in its untamable nature and its nature is its people